From Paddock to Mountain - Artist in Residence - Part 5

For two weeks I'm artist in residence at the Nancy Fairfax AIR Studio at the Tweed Regional Gallery in Northern New South Wales (Australia).

In my last post I was monoprinting mandalas with leaves then overprinting with a portrait of a scrub turkey using a polyester lithographic plate.

Over the past couple of days, I've been repeating the same sequences, but this time using a plate featuring my drawing of a magpie carolling (singing).

When magpies sing, they tilt their heads back to warble a beautiful melodious song, a long stream of musical notes like a flute, flowing up and down and around.  Check out this link to some audio recordings HERE.

I wanted to capture the joy of a singing magpie in my prints, so I used a pen drawing photocopied onto a pronto polyester plate.  I've used magpie imagery in my work before, but only as monoprint stencils.  Using a drawing on a litho plate gives me the opportunity to inject more personality and life into my image.

The downside is that I'm not a fan of editioning - printing the same print over and over is not very exciting.  I sometimes use too much ink or not enough ink.  And there is a high risk of ruining a successful monoprint when I print my litho plate over the top of it.

But I love my printing, and its always my happy place even if I only get one or two successful prints after a hard day's work.   All those 'not so good' prints make the successful ones even more satisfying and valuable.

Printing the litho plate over top of the monoprint.
The plate is transparent so its easy registration,
I'm using scraps of paper to keep the original paper clean.

This one has too much ink,so the Magpie has lost the detail
around his eye etc.
I'll wait until it dries and try a white Posca pen on it,

Not enough ink on the Magpie.
I can draw into the image with a black marker when it dries,
an easy fix,

This one is perfect, just the right amount of ink,

This is a monoprint that went badly wrong.  I put the magpie
mask/stencil on the wrong side.
That 'reversing of the image' printmaking rule caught me out
this time.  Arggghhh......

And this is where I fixed it.
Plan B - I printed the magpie litho onto a blank
piece of paper, then used that print to print onto'
my monoprint.
The magpie may need a little touch up with a marker pen when
its dry, but overall its a good outcome.
Never give up!  There's always a workaround.

From Paddock to Mountain - Artist In Residence - Part 4

For two weeks I'm artist in residence at the Nancy Fairfax AIR Studio at the Tweed Regional Gallery in Northern New South Wales (Australia).

During my artist in residency, I've been pleasantly surprised to see a lot of scrub turkeys in the area, on the side of the roads and in parks near the beach.   And its one of my favourite urban birds that have successfully and opportunistically been able to live alongside humans.  So naturally they had to feature in my AIR work.

This week I've also been working with mandalas.  In Sanskrit, mandala means 'circle', a spiritual or ritual geometric configuration of symbols or a map. The basic form of most mandalas is a square with four gates containing a circle with a centre point.

My version of a mandala is based on a circle. To me, circle shapes represent cycles in the natural world, so its a fitting metaphor for my leaf monoprints.

I've cut a circle plate (a dinner plate came in handy as a template), and using rainforest leaves have made basic monoprints using Paynes Grey - a lovely dark bluey grey.

Incorporated into the circle, or perhaps interrupting it, is a scrub turkey portrait.  I've made a drawing of the turkey, head and shoulders only, and transferred it via a laser printer to my polyester lithography plate.  When printing the circle monotypes, I've used paper stencils to reserve 'white space' for the spot where the lithograph will go on the print.  This white space around the turkey image helps to accentuate the turkey portrait and bring him into focus against the busy background.

Its been a few days of solid work in the AIR studio, but I've been able to create 7 prints.  I'm pretty happy with them, but of course I always reserve judgement for a week or two, before I decide which ones are worthy of exhibiting. Being monoprints, every print is different, some light, some dark, and the lithographs print slightly different each time as well.  That's what I love about monoprinting, the printing process is never boring...sometimes challenging....but always satisfying.

A monoprint plate is a beautiful object in itself.

Printing the circular plate with a turkey head stencil
to reserve a spot for the lithograph.

One of the completed prints.
I like how the leaves swirl around the turkey as
if he is building his nesting mound.

This print is interrupted by the fern image, lots of white space gives
a different feel to the print.

Next Post - the magpie prints!

From Paddock to Mountain - Artist In Residence - Part 2

For two weeks I'm artist in residence at the Nancy Fairfax AIR Studio at the Tweed Regional Gallery in Northern New South Wales (Australia).

My goal for this residency was to work on a rainforest theme.  Earlier this year, I was one of the artists involved in an arts/science BioBlitz at Mary Cairncross Scenic Reserve (see this post).  Mary Cairncross Scenic Reserve comprises 55 hectares of subtropical rainforest overlooking the Glass House Mountains in the Sunshine Coast hinterland.

Rainforest areas extend through several ranges and National Parks from Queensland down to northern New South Wales.  Many insect and bird species found in Mary Cairncross Scenic Reserve are also native to the rainforests close to Murwillumbah where my AIR Studio is located.

And so my plan was to walk through some national parks, observe the rainforest ecology, and stay cool.   Well, that hasn't quite worked out.   Currently, all national parks in northern NSW (and therefore natural rainforest areas) are closed due to the horrendous bushfires being experienced in NSW and Qld.  And due to the hot weather, they will be closed for a while.....so onto Plan B.

I found some small pockets of rainforest along the road verges, which enabled me to collect some leaves.  And I had very kindly (and fortuitously as it turns out) been given some rainforest leaves from the Mary Cairncross Scenic Reserve parkland.  So onwards and upwards, I got printing.

Printing with 'Thumper' - yay!  My happy place.

Inking up a litho plate.  The studio space is great,
with plenty of room for me to spread out.
Wish I had this set up at home!

A leaf mandala in progress, using rainforest leaves.
I've been looking at mandala iconology as a way
of expressing the connectivity of the natural world.

My next post will look closer at some of my works-in-progress and ideas as they develop.

From Paddock to Mountain - Artist In Residence - Part 1

For two weeks I'm artist in residence at the Nancy Fairfax AIR Studio at the Tweed Regional Gallery in Northern New South Wales (Australia).

Its a 2 hour drive from home, past the Gold Coast and over the state border.  The Studio sits next to the gallery, overlooking cow paddocks and looking towards the impressive Wollumbin (Mt Warning).

Throughout her professional life Margaret Olley supported many artists through mentorship and financial assistance. The Nancy Fairfax Artist in Residence (AIR) studio continues this legacy as an extension of the recreation of Margaret Olley’s home studio at Tweed Regional Gallery.

The Studio has a self-contained accommodation unit, with a large adjoining studio space. Perfect for a retreat to concentrate on my art practice.

The Nancy Fairfax Artist in Residence Studio

I've set up my printmaking studio with my portable etching press 'Thumper'. I'll be working on monotypes, polyester plate lithographs, as well as making notes and drawings.

The gallery is just a few steps away, so no doubt I'll be lurking around there quite often, particularly in the Margaret Olley Art Centre which also has an excellent library of art books.

I'll be posting several times during my residency so you can share in my creative experiences in this wonderful space.