Thursday, September 14, 2017

Working smaller and smarter

Its been a while since I've made time to do some large fine-art monoprints as it requires quite a bit of planning and preparation.

So in between fine-art prints, I like to do small ones, A6 size up to A5 size, at home on my portable etching press or my Xcut DieCut Machine.   I also do a few prints when demonstrating at my workshops, but often those ones don't work out as I'm rushing it with an audience looking on.

My small prints are great for selling in my local shop outlets, as I can keep the price reasonable, under $100 framed.

As the prints are small, I find that the photo-ready frames (with mats) at local shops are great.  I source these frames from department stores (BIG W, Kmart), homewares shops (Freedom Furniture), and stationary shops (Officeworks).  For larger prints, I always use professional framers, as I've found from experience that cheap frames tend to warp in larger sizes and its difficult to attach D rings without damaging the frame.

Sometimes I don't bother framing the small prints.  I just mount them on a piece of stiff white cardboard, sometimes using a precut mat to 'frame' it, and finally wrapping it cellophane.

I've found that presenting smaller works for sale doesn't always have to be expensive.  And keeping the price down means that more people can enjoy my work :-)

My work for sale at a local show.  Cards in boxes, small works
in cellophane on stands at the back of the table,
hanging works on the wall
"Bodhi" monoprint.
This one's between A6 and A5 size.

Feather monoprint.

Feather monoprint again.
I used a black mat for this one,
it really brought out the moodiness of the
dark tips of the feather.
You can see it in the first picture of my display at the local show.