Wednesday, July 31, 2019

Prints Unforgotten

I've got a huge stash of print 'seconds' in my studio, a large boxful. This is one of the issues of being a monoprinter - for me, there are many more unsuccessful prints than successful prints that I frame and sell.

Recently I came across a few prints of wrens that I did back in 2012.  Most of the series has been sold but the last few remaining prints I feel need 'something' to resolve them.  So I decided to dig out the paper stencils I used in that series -luckily I'm a bit of a stencil/paper hoarder so I still had them, and more importantly, knew where to find them!

So I recomposed the images using the original prints which I cut down to bleed prints (that is, no blank paper margin). I then used the stencils overtop of the prints to create a new scene, ensuring that the stencils extended beyond the background image. I feel that this gives a fresh dimensionality to the original image.

The prints are now rehomed in new raw wood frames with fresh mats, and ready to go back into the world and find new homes.

Moral of the story:  Never ignore your past work.....perhaps just rethink it in the context of your current art practice.

The original monoprint
The stencils used to create the 'Dance' series -
the monoprinting process transforms paper stencils
 into beautiful collage pieces

Recomposing the original print by adding stencils -
looking at colour, shape and balance.

The new work 'In the Shadows'.
Detail of 'In the Shadows'


Sunday, July 28, 2019

Experimental Marbling

I recently attended a workshop doing experimental marbling, Turkish style, by artist Bronwyn Rayner (instagram raynbowcrowstudios).

Although marbling is not part of my usual art practice, it was great fun and very relaxing.  A bit like gelatine monoprinting but more freeform and delicate.   I did lots of prints on paper as well as marbling 3D objects like fans, pots, and rocks.

I also managed to marble lots of japanese papers like kozo and book pages - these lighter weight papers will be perfect to use for chine colle with my drypoints.


Bronwyn showing me how to marble a fan -
harder than it looks!

Lightly pressing the fan onto the marbled surface.

The completed fan - I'm all
sorted for summer now!
We marbled leaves as well - gorgeous!
Using a pipette to drop the colour.
I love the circular organic shapes at this stage.

Using a wooden skewer to create a design.
This is the really fun bit!

I love big swirls and drops, rather than
fine designs.

Lifting the marbled paper out of the tray -
so exciting (and wet)!

One of my favourites - marbled paper
from a Japanese book

Another bold design that I love!